This is a wonderfully written and illustrated book for primary aged children explaining healthy understanding of circles of people in our lives. Illuminating that we are in the center and those closest to us are immediate family, then extended family, then friends, community, ect. The story encourages inclusivity as we “widen” our circles to include more and more people. Our story ends with bringing it back to our first person (the reader) and the love they hold inside.

When a massive earthquake traps Ruby under concrete, life didn’t flash before her eyes. Instead, time began to crawl. Ruby has a companion in the dusty dark, Charlie, who she previously wanted to ask if he’d buy her beer just seconds before the rumbling began. Crushed under the literal weight of the world, with a cell phone to mark the time but not call or text, Ruby will recount the last events before the earthquake – her final conversations and thoughts on her relationships with others in her life. She and Charlie will no longer be strangers though they will never see each other again. This is a character study, and still, a page-turner as the hours become days and survival seems unattainable. It is a quick read that will interest reluctant readers.

Mason Deaver’s 2nd novel, The Ghosts We Keep, is a deeply emotional story of a non-binary high school student losing his older brother in an accident. Liam Cooper is already having trouble maintaining friendships at school and is struggling with his place in the world and what he wants to do after high school, and the death of his brother makes him almost suicidal. It’s a believable story, and it was born of the author’s own grappling with grief. It moves pretty slowly and the main character might drive you a bit crazy, but you’ll hang on to the end in order to find out how Liam matures and survives this tortuous time. Genre: Realistic Fiction

Rating: 3.5 out of 5 stars
Reviewed by M. Losh, OHS Library Secretary

Alex is a visionary, literally. He can see the future of the things that he touches –every day things and things close to him. And it terrifies him, because not all futures are pretty. While the first few chapters set a groundwork, the rest of the novel is a groundswell of suspense. It takes diving deep into his past, and that of his family, to come to terms with how the future could play out. Brittney Morris asks readers to check themselves, and their preconceived notions, through Alex’s experiences. Shedding a tear or laughing alongside the characters, Morris gives us another look with a special-power twist into the life of a young Black American. A worthy addition because of the super-natural element as most black male protagonists that are being written are just realistic fiction tropes.

The illustrations are all in earth tones, very suited to the topic, as the text shares about a variety of animals that are skilled builders, from the Great Barrier Reef to a penguin’s pebble nest to a beaver’s dam, and so on. The examples provide a good mix of familiar and less common. Several pages are given to each example so that there is some depth of detail, including why the animals build what they do. A solid choice.

D and the other letters are a bit put out with Apostrofee for gobbling up so many letters and taking their places. It’s full of examples to show the purpose of an apostrophe.. It’s cute, but I think I’ve seen other books that do the job better. A lot of the examples in this one are not common uses and/or don’t follow the usual pattern, and yet no explanation is given (i.e. shan’t, d’ssert, s’pose, d’plorable). At first I wondered why they misspelled Apostrofee’s name, but then I noticed the author is from Quebec, so it could be a Canadian spelling.

I need to buy several copies to have on hand for baby shower gifts. It’s a beautiful book, best shared between parent and young child. The illustrations are gloriously beautiful and whimsical. The text is sentimental and full of hope and wonderings for the future. It’s full of comparisons of child and nature, opening with an acorn sleeping beneath a blanket of leaves until it begins to grow, just like the child tucked into a warm bed. The voice is that of the parent speaking directly to the child, offering a wide variety of possibilities and analogies. It makes my heart warm and fuzzy!

It’s a fun, simple, “sweet” read, with a devilish twist at the end that will appeal to the older elementary kids as well as the young ones. When Sloth and Lemur happen upon a rather lovely cake, they ponder having a party, but all the guests they consider inviting seem problematic in one way or another. They finally conclude there’s just no one left to eat it except themselves. As they lay about among the crumbs with full bellies, along comes Tiger, outraged that the lovely cake he’d made himself for his birthday is gone. Sloth apologizes, but Tiger tells them not to worry…(page turn)…he can still get it back…(page turn)… And the final page just shows the Tiger walking away with a satisfied expression from the plate of cake crumbs, with no Sloth or Lemur in sight. Draw your own conclusions. I like that it leaves it open to the readers’ interpretations — a good opportunity to talk about inference. It reminds me a bit of my favorite Jon Klassen books. My only critique is that it is told entirely in dialogue without any quotation marks or he said/she said (it uses different fonts to distinguish who says what), and it could have been helpful if the different fonts were a little more different to be really clear.

Well I pretty much love most things Melissa Stewart has written, and this one illustrated my another of my favorites, Steve Jenkins. The book shares details about fourteen different kind of monkeys that all live in the Manu National Park in Peru. It begins by pointing out that it is unusual for so many different kinds of monkeys to live in the same area, and that it is possible because they each live at different heights above the ground, behave in different ways, and eat different foods, meaning they don’t compete with each other for food or space. Each two-page spread is dedicated to a different kind of monkey, with a two line rhyming stanza in a large font for younger readers, and a more detailed paragraph for those seeking more information. Accompanying each illustration is a silhouette of a tree marking the height within the rainforest that that monkey occupies. In the back of the book a larger version of the same silhouette shows all the monkeys on one, and an illustration depicts all the monkey sizes in relative scale, alongside the shadow of an adult human for comparison purposes, and further statistics such as lifespan, scientific names, diets, and predators are listed for each monkey.

So I looked online at the professional reviews posted on the Titlewave website, and they were all more or less generally positive, but I’m just going to be honest and say I didn’t like it. I couldn’t find a plot or purpose to it. The illustrations depict a town made up of 51% vampires, and are suitably dark for such a setting, and yet are silly and cartoonish for a young audience. The reader is invited to come visit this town and is shown assorted scenes one might find looking down upon the town on a typical night. The text isn’t so much a narrative as a series of captions.